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Shammi in Halaku (1956) Born Nargis Rabadi ( 1929-04-24)24 April 1929, (presently, ) Died 6 March 2018 (2018-03-06) (aged 88), India Nationality Years active 1949–2018 Spouse(s) Sultan Ahmed Nargis Rabadi (24 April 1929 – 6 March 2018), better known by her Shammi, was an Indian film actress who appeared in over two hundred films. Shammi remained a sought-after with filmmakers when it came to goofy and comic roles, especially in the period 1949–1969 and later from 1980–2002. Her famous films as supporting actress included, and and films with like, and. She had been a leading actress playing main female lead or second female lead in Hindi films between 1949–1955 as well. Later, from 1986 till 1998, she appeared in many popular television serials such as, Zabaan Sambhal Ke, Shriman Shrimati, Kabhi Yeh Kabhi Woh and Filmi Chakkar. Shammi was married to film producer director Sultan Ahmed for seven years, before they were divorced.
Shammi is the younger sister of fashion designer Mani Rabadi. Contents. Early life Rabadi was born in 1929 in,. Her father was a priest in an (Parsi fire temple) and died when she was around three years old. After her father's death, her mother used to cook food at all the religious functions organized by the Parsi community to earn money. Rabadi had an elder sister Mani Rabadi, who was a fashion designer and worked extensively with many actresses as their dress designer in Hindi films between 1967 and 1994. Her mother's younger sister lived with her.
They stayed in Blocks in, South Mumbai in 1930–47 period. Her sister joined Johnson and Johnson as a secretary after completing her secondary school education. In 1942, manufactured tablets and Rabadi was employed in the packing department. Her job was to collect the tablets that were not sealed in the tablet case, and had fallen off from the machine.
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She had to put them into big bottles which would go to hospitals for free distribution to patients. She was paid Rs 100 per month for doing this job. Career Early Career (1949–1970) Rabadi got into films by chance. A family friend Chinuu Mama was working with filmmaker.
Chinuu was very friendly with actor and producer. At that time, Mukhtar was looking for an actress for the second lead, in a film he was to start with as the main. Chinnu Mama asked Rabadi whether she would like to join films and asked her to meet Sheikh Mukhtar in the studios the next day. Mukhtar was concerned about her -speaking skills as she was a Parsi. Rabadi immediately told a worried Sheikh that she would be talking with him in Hindi itself, and that he should point out any flaw if he was able to find any. Sheikh Mukhtar was quite shocked, but was impressed. The next day, she was called to Mahalaxmi studios for her for a film.
She was advised by director Tara Harish to change her name to 'Shammi' as there was another actress named Nargis in the industry. Her monthly salary was Rs 500. She was asked to sign a three-year contract with a condition that she couldn't work outside without their permission. She was just 18 when she signed her first film, in January 1949. Ustad Pedro had Sheikh Mukhtar opposite Begum Para and Mukri as the comedian and it was directed by Tara Harish and this Begum Para-Sheikh Mukhtar starrer was a hit film at the box office in 1949. She had to attend the studio every day and practice acting even when she had no shoot. Shammi had to read dialogues of other films and Harish, the film's director taught her a lot of things since he was an actor himself.
Harish was directing another film with in the lead as hero, called. Shammi was given the main lead in that film. Since the director was the same, Shammi was allowed to work outside the Sheikh Mukthar banner. She got good reviews for Malhar. Malhar's music was a super-hit and Malhar made Shammi a famous star.
Shammi was financially stable now, so they shifted to. During the shooting of Malhar, she met through Jaddan bai, who was the mother of Nargis Dutt. They became good friends. After that meeting, Dutt would frequently call Shammi to her house in. Dutt was her best friend and later, because of their friendship she got a supporting role in the film. She quoted in an interview 'Nargis was the first actor to be paid Rs 1 lakh; even did not get that kind of money then.
It was the talk of the industry. Actors like me who did supporting roles would get anything around Rs 10,000 to Rs 15,000.' Her third film was third film was with Dilip Kumar and, called, but it got released late in 1952 and was a flop.
Since Sangdil failed, she did not get work for seven months. Shammi used to play the main lead or second lead in films from 1949 to 1952, but after Sangdil, she started taking whatever work came to her and took a few films with vamp roles. She quoted in an interview: 'Many people scolded me when I did that but I was clear in my mind that I had to work.
Sitting at home would not help me since I was the breadwinner of the family.' She got roles as the leading heroine opposite heroes such as, Manhar Desai and. After release of hit film Musafirkhana, she was flooded with similar roles. Her role opposite comedian was appreciated in this film. Some of her successful movies as supporting actress in this period were Ilzam (1954), Pehli Jhalak (1955), (1955), (1955), (1956), (1955), (1958), (1958), (1958), Aakhiri Dao (1958), (1959), (1959) and (1960). The rest of her films released from 1952 to 1960 were deemed as commercial failures. In the period 1962 to 1970, her comedy and vamp roles made an impact in successful films such as, Ishaara, Aamne - Saamne, Doli, Raja Saab and.
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Period from 1970–85 In the early 1970s, she started getting roles of mother to heroes like in and Adhikar. She won the Award as Best Supporting Actress for (1971). That's when she decided to get married. She married an aspiring director named. Shammi had lots of friends in the industry and because of her, Ahmed got entry into the film industry and everybody worked with him. Her own friends like, and started working in films directed by Sultan Ahmed and these films were successful.
Her husband's directorial ventures such as Heera (1973), and were successful. Shammi made a mistake by not accepting offers from other directors, and due to this she started getting fewer offers to act in films in the period between 1972 and 1979. Ahmed and Shammi did not have any children.
Shammi was married to him for seven years, during which Shammi had two miscarriages. The couple had bought a house and her husband wanted to put the house in her name, but Shammi was of the opinion that since her was not doing anything, Ahmed should put the house in his sister's name. Ahmed's 's family resided with them. Sultan's brother's wife was uneducated, so Shammi took care of the child. Shammi admitted the child in a school in. Due to some differences, she broke up with her husband in 1980. She walked out of the house without any cash in hand, and left without her car too.
She had the old house where she stayed with her mother in Bandra, so she shifted there. Nargis Dutt was upset when Shammi separated from her husband.
Dutt helped Shammi get a role in within 8 days after Shammi had left her house. Her friend helped her get small roles in films with him in the lead from 1980 such as, and. These films again got her noticed as a supporting actress and hence revived her career.
Encouraged by her recent successes, she decided to produce a film named in 1985. Was going to act in the film, and he suggested the director , who came on board.
There was reportedly an altercation between Esmayeel and Khanna, after which Khanna walked out of the film. It had still not gone on the floors then. But because was acting in the film, she had brought in a big actress,. The distributors were after Shammi as she had promised them Rajesh Khanna. She then approached.
On this topic, she quoted in an interview: 'He did not even ask me how much I was going to pay him. Everything fell in place. But the director sucked the life out of me. He fought with everyone on the sets. Ultimately, he was thrown out of the film before the dubbing was completed. I directed the film.
Mar 31, 2015. Film-TV serial actress was earlier married to director AM Nazeer. The marriage was arranged by their respective families and was attended. Reshmi Soman aka Rashmi Soman is a popular television serial actress. She married married television serial director AM Nazeer in 2001 against the wishes of. Join Facebook to connect with Am Nazeer and others you may know. Log in or sign up for Facebook to connect with friends, family and people you know. 
The film bombed at the box office. I knew it would flop. I went into a big loss.' Later career 1986–2018 To help her recover from the losses, who was producing television series then, helped Shammi get a few shows to produce on.
She was getting paid well for her roles in the films and in television serials and she started saving money. From her very first movie, she never went asking for work—the work came to her through some close friend. Her performances got lots of appreciation in serials such as Dekh Bhai Dekh, Zabaan Sambhal Ke, Shriman Shrimati, Kabhi Yeh Kabhi Woh and Filmi Chakkar.
She was very much in demand from 1990 to 2000, appearing in many successful films such as, Hum Saath-Saath Hain and. Her portrayal of the role of a drug addict in Mahesh Bhatt's Lahu Ke Do Rang had stunned the audience. Movie offers, however, stopped coming to her after 2002 since she was aging. She was rarely approached for roles from 2008 to 2011. She made a comeback with in 2013; as Bela Sehgal, the director, wanted her to do it because it was the role of a Parsi woman.
In this film, who had worked with Shammi in her first film as a child artist for the film Bandish in 1955, played her daughter-in-law. Death She died in her sleep on 6 March 2018, from natural causes at the age of 88. Filmography. This list is; you can help. Year Title Role Language Notes 1949 Ustad Pedro Hindi 1951 Malhar Hindi 1952 Mohini Hindi 1953 Hindi Khoj Hindi Baghi Hindi 1954 Sheeshe Ki Diwar Hindi Roohi Hindi Hindi Kasturi Hindi Ilzam Hindi Hukumat Hindi 1955 Shahi Mehman Hindi Rukhsana Hindi Pehli Jhalak Girja Hindi Musafirkhana Mary Hindi Lagan Hindi Bandish Kavita Hindi Janki Hindi 1956 Hindi 1960 Sheila Hindi 1968 Lucy Fernandes Hindi 1970 Hindi Guest appearance Suzie Hindi Sukhiya Hindi Hindi Rita Hindi Darpan Lachchi Hindi 1971 Rajan's mother Hindi Purani Pehchan Hindi 1972 Major's wife Hindi Hindi Mrs.
Anwar Hindi 1973 Jwaar Bhata Satwanti Hindi Mrs. Ramakant Hindi 1974 Hindi 1976 Lambhardhani Hindi 1978 Shobha's mother Hindi 1979 Drug addict Hindi Guest appearance Teacher Hindi Mrs.
Ramdas Hindi 1980 Passenger Hindi Roopsagar Clothing Stores Manager Hindi Chachi Hindi Miss Maria Hindi Hindi Special appearance 1981 Bharat's foster mother Hindi Hindi Sarla Hindi Gynaecologist Hindi 1982 Sarpanch Swaran Chanda's wife Punjabi Mrs. Raj Tilak Hindi Dil Akhir Dil Hai Psychiatrist Hindi Seema's mother Hindi Mrs. Bhalla Hindi Hindi 1983 Grandmother Hindi Rosie Hindi Rachna Hindi Sweekar Kiya Maine Mrs.
Sharma Hindi Yahan Se Shehar Ko Dekho Hindi 1984 Yaari Jatt Di Jeeta's mother Punjabi Karma's mother Punjabi Jigri Yaar Jeeto Punjabi Nisha's mother Hindi Hindi 1985 Tulsi Hindi Mrs. Nigam Hindi Mrs. Mathura Das Hindi Choudhary's mother Hindi Ucha Dar Baba Nanak Da Gurdit's mother Punjabi Shanti Hindi Hindi Patthar Dil Mrs.
Chaurasia Hindi Rosie Hindi Mary P. Retrieved 1 April 2014. Retrieved 1 April 2014. Retrieved 31 March 2014. Retrieved 31 March 2014.
Retrieved 31 March 2014. Retrieved 31 March 2014. Retrieved 31 March 2014. Retrieved 31 March 2014. Retrieved 31 March 2014. ^; accessed 9 April 2014.
Archived from on 2 April 2015. Retrieved 4 June 2014.
Retrieved 1 April 2014. Bollywood.com. Retrieved 1 April 2014. Retrieved 31 March 2014. Retrieved 31 March 2014.
Retrieved 31 March 2014. Retrieved 31 March 2014. External links. on.
TV in the 1990s had so much to offer to every age group. It was a time when shows with a crisp narration and believable yet intriguing plots kept us glued to our sets. Before the scheming mother-in-laws and cheating spouses took over the idiot box, the ’90s were a time when the entire family could sit together over a meal and laugh away the day’s exhaustion in the innocent humor of these shows. To those of us who grew in those days: weren’t we lucky? Tara was the first Indian soap opera to run on Zee TV. It focused on the lives, struggles, and aspirations of three urban women. It was the first touch of feminism in Indian television.
This was also the first show to popularize the concept of the “hook point” that makes the audience eagerly wait for the next episode.